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But that’s gone forever we must accept that it cannot be completely restored. The tragedy is in the loss of material representation in history. How is this both a tragedy and an opportunity for restoration? There are two tools to cope - with a trusting heart and by understanding the dimensions of your mind, and in the case of Notre Dame, the structure. Adversity is a condition of any existence, whether a building or person.
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As we learn how to deal with adversity, the restoration will come naturally. The questions at hand for us are: What could we have done better? How can we do better in the future? Let’s accept what is and make the most of what could be. “Why” is not ours to ask in the architecture community. Meanwhile administrative cleric Patrick Chauvet stood in shock at the scene and asked, “Why?” As an architect, what deeper meaning do you find? He said: “To restore a building is not to preserve it, to repair or rebuild it it is to reinstate it in a condition of completeness which could never have existed at any given time.” Many are asking how we can save it. Looking ahead is exciting, yet we could learn a lot from architect Eugène Viollet-le-Duc, who restored the cathedral in the 19th-century. Similarly with Notre Dame, many feel the instinct to rectify, resurrect, or make it better than what it was. I wanted to help, but unless you’re trained to serve those needs, that’s the last thing you should do during such a catastrophe. And I saw 9/11 happen first-hand, I was there that day. For me, it was like watching the second plane hit the World Trade Center. What would Viollet-le-Duc do today? When the fire happened in April, how did you first react to the news?īeyond shocked. In this Q&A with architect Stuart Peaslee, we explore the philosophy of Eugène Viollet-le-Duc, who restored the landmark after it was severely damaged in the French Revolution. Reflecting on lessons learned in the past, let’s consider how they can be implemented for the benefit of the cathedral’s future. How the Notre Dame Restoration could stand for Viollet-le-Duc’s “Top-Down Method“